Instructors

  • Erika Harding

    FOUNDER/ GLASS MOSAIC

    I first learned to do mosaics at Ghost Ranch with Kathy Thaden more than 10 years ago. I love the meditative nature of the work, but also really enjoy it as a group activity, drinking wine and chatting with friends as we glue and learn together.

    I have gravitated toward using stained glass in my work, and specialize in glass-on-glass mosaic pieces and tables. I collect beads, fused glass pieces, stones and other elements that I can build into my work. I also love mosaicking objects (like a deer skull and an old-fashioned porcelain cast-iron sink!) and building sculptures with glass and mosaic elements incorporated.

    One of my favorite things about doing mosaic art is the ongoing learning – from my peers, books, master instructors and my mosaic students. There is so much lovely sharing of ideas and helpful tips among mosaic artists. I am learning to fuse glass and create innovative elements for my mosaics as well!

  • Alison Robbenhaar

    PET PORTRAITS, KNITTING, COLLAGE

    Alison Robbenhaar is a colorist and landscape oil painter. She tries to capture the unique beauty of New Mexico. She specializes in plein air painting and leads painting excursions around Taos and across New Mexico.

    She has lived here since 2004, and wouldn’t want to be anywhere else.

    She will be teaching folks how to make a portrait of their pets at our “date night”events, for students of all ages and abilities.

  • Catalina Salinas

    Catalina Salinas

    EMBOSSED METAL ORNAMENTS, RECYCLED PAPER ART, RIBBON ORNAMENTS

    High mountains and indigenous cultures surrounded my childhood; I was born in La Paz, Bolivia. I grew fond of the bright colors and textiles that have inspired my artwork for many years. My continued curiosity for new cultures, language and design led me to pursue a master’s degree in Architecture.

    The beautiful sunsets and landscapes of my New Mexico querido keep inspiring and evolving my art. I use continuous color gradations and textures to help my art pieces move, sometimes creating little optical illusions, sometimes the composition changes according to the orientation of the piece.

    I paint squares and rectangles that resemble the weaving of a textile. If you zoom in on a textile it dissolves into those squares and rectangles, but as you move farther away the composition will tell a story.

  • Beca Kulinovich

    Beca Kulinovich has always created. Since retiring to Albuquerque in 2018 she has focused on Mosaics, in particular pieces designed to live outdoors and enhance her yard.

  • Lois Manno

    Lois Manno has lived in New Mexico for 40 years. After working for many years as a painter and graphic designer, kiln-formed glass reignited her passion for making art in a way Lois never imagined possible. Her work is informed by the natural world and themes of power, beauty and transcendence. She developed unique methods of working with glass frit and powder to create her newest body of work, which focuses on feathers, clouds, stones, and birds as subject and symbol of the self.

    Lois studied Fine Art in college and has lectured on both art and her other obsession: cave exploration.

    Her personal art website is www.glassbirdstudios.com.

    Her experimentation with powdered glass resulted in Lois developing a unique product for glass artists called Modeling Glass. The kit includes a non-toxic powdered binder and liquid medium that, when combined with powdered glass and water, makes it into a clay-like mixture that can be sculpted and formed. Her company website is www.modelingglass.com.

    Lois sells her products wholesale and has taught workshops in the US, Canada, the EU, and the UK. She also has written an ebook titled Exploring Modeling Glass, with tips and projects for making amazing art with powdered glass.

  • Lavae Aldrich

    KILN-FORMING OF GLASS

    After living and making glass for 16 years in tropical Costa Rica, Lavae Aldrich, of Gecko Glass Art, returned to the US in 2022 . Now, she works out of her studio in Los Lunas, New Mexico. Her art is inspired by the landscape around her but is always informed by her 30 year career as an architect in the Pacific Northwest.

    Aldrich delights in the wealth of technical possibilities for making art with glass; She is constantly exploring traditional tools, fresh materials, and innovative processes. Much of her art is driven by the medium itself. To share her love of glass making, Aldrich enjoys the opportunity to teach frequent classes at The Groove Artspace.

  • Carol Lutz

  • Linda Guernsey

  • Sarah McIntyre

    PHOTOGRAPHY

    Sarah is an award-winning photographer, focused on telling the stories of New Mexico’s people and places.

    A lifelong New Mexican, with familial roots in the state spanning generations, her approach to photographic storytelling is informed by her experiences in a place that is truly unlike any other.

    Though her photographs engage a variety of themes from the sacred to the secular, Sarah is New Mexico’s premier photographer of historic churches, having long ago lost track of time spent traveling across the state to search out and photograph even the tiniest capillas in the remotest areas.

    In addition to Sarah’s work documenting New Mexico’s churches, she leads private photography workshops and classes, and wows her portrait photography clients by freezing time with her camera, capturing special moments for a lifetime.

  • Mitch Berg

    GLASS FUSING

    Mitch Berg is a self-taught, mixed media sculptor and director of Fuego Artspace located in Albuquerque's South Valley.

  • Tina Wolverton

    Tina Wolverton is a mixed media artist and licensed therapist. She has a Masters in Art Therapy and Counseling from Southwestern College. She has created art throughout her life. Artwork to her is a deep expression of her personal journey and a connection to her soul.

    She has experience with a variety of media such as encaustic, watercolor, collage, paper making, mono-prints and sewing. She enjoys experimenting and learning new techniques.

    Her art is vulnerable and raw. It explores such topics as grief, climate change, motherhood and mental disorders.

Would you like to become an Instructor at The Groove?